(The story below isn't mine and I've no idea who wrote it. It's one of Seven Answers).
6. Describe one of your early memories.
I was at a cricket ground where my father was playing and to amuse myself I was jumping off a low wall surrounding the pavilion onto a gravel drive and then running up the steps and repeating the process.
As I jumped off for the umpteenth time, a car was cruising along and stopped when the driver saw me. Unfortunately he came to a halt on one of my feet and so I was trapped under the wheel. To make matters worse he froze and was unable to move the car off my foot. As my screams reached the cricket pitch, several players ran to the car and had to bodily lift the car while the driver sat paralysed with fear. I was taken to hospital and my leg was put in plaster up to the knee. My parents were told that I should make a full recovery but had I been a little older the bones would have been crushed beyond repair.
Thursday, 16 February 2017
Seven Answers VII: A Wish
(Read about Seven Answers).
5. Tell me one of your deepest fears or wishes.
My greatest wish is for all human beings to find true contentment, not through material gain buy by realising that we are all connected and part of a greater consciousness, one that doesn't 'do' but just 'is.' Maybe my greatest wish will transpire for everyone if I can just find such contentment myself, is that how it works?
5. Tell me one of your deepest fears or wishes.
I have plenty of fears but try not to dwell on them as they are so inhibiting despite nearly all of them being irrational.
My greatest wish is for all human beings to find true contentment, not through material gain buy by realising that we are all connected and part of a greater consciousness, one that doesn't 'do' but just 'is.' Maybe my greatest wish will transpire for everyone if I can just find such contentment myself, is that how it works?
Labels:
a wish,
polyphony,
Seven Answers,
the polyphonic poem
Wednesday, 15 February 2017
Seven Answers VI: A Fear
(Learn more about Seven Answers.)
5. Tell me one of your deepest fears or wishes.
That I have to attend my children's funerals. To have to choose what to wear and get dressed. That I would have to get through the day with the greatest pain and wonder how the hell I stay alive for the rest of my life.
5. Tell me one of your deepest fears or wishes.
That I have to attend my children's funerals. To have to choose what to wear and get dressed. That I would have to get through the day with the greatest pain and wonder how the hell I stay alive for the rest of my life.
Labels:
a fear,
polyphony,
Seven Answers,
the polyphonic poem
Seven Answers V: An Encounter
No idea what this is all about? Let me explain.
4. Describe a romantic or sexual encounter you've had.
I talked to someone online for quite a few hours the other night and we seemed to get along really well. A lot of internet stuff is quite tawdry and rather cheap, however, [...] was immediately engaging and appeared, as far as you can tell from words on a screen, really genuine and interesting.
Jump forward 24 hours as we had arranged to meet up and see if we got along. The fact that he was late wasn't a good start, however...
He is Albanian, [...] is, but been over here for about five years. He works as a care worker in a home. We talked from the moment I met him, as we walked ([...], a bike and myself) along the sea front in the icy cold and continued as we went to a pub overlooking the sea (sans bike!). A dimly lit pub, with candles and a view of the promenade and the beach.
We continued talking all the way back to Hove - me overshooting my normal turn-off for home so that we could carry on.
4. Describe a romantic or sexual encounter you've had.
I talked to someone online for quite a few hours the other night and we seemed to get along really well. A lot of internet stuff is quite tawdry and rather cheap, however, [...] was immediately engaging and appeared, as far as you can tell from words on a screen, really genuine and interesting.
Jump forward 24 hours as we had arranged to meet up and see if we got along. The fact that he was late wasn't a good start, however...
He is Albanian, [...] is, but been over here for about five years. He works as a care worker in a home. We talked from the moment I met him, as we walked ([...], a bike and myself) along the sea front in the icy cold and continued as we went to a pub overlooking the sea (sans bike!). A dimly lit pub, with candles and a view of the promenade and the beach.
We continued talking all the way back to Hove - me overshooting my normal turn-off for home so that we could carry on.
Labels:
love and sex,
polyphony,
Seven Answers,
the polyphonic poem
Seven Answers IV: A Pivotal Experience
(Find out more about Seven Answers).
2. Describe a pivotal experience in your life.
Getting depression. Ended up being the most positive experience of my life. Finally realised that people liked/loved me for me, and not for what I was able to do for them. Was no help to anyone, but my friends and loved ones still wanted me around. Helped me with my self-esteem and to work out who I wanted in my life.
2. Describe a pivotal experience in your life.
Getting depression. Ended up being the most positive experience of my life. Finally realised that people liked/loved me for me, and not for what I was able to do for them. Was no help to anyone, but my friends and loved ones still wanted me around. Helped me with my self-esteem and to work out who I wanted in my life.
Labels:
an experience,
polyphony,
Seven Answers,
the polyphonic poem
Seven Answers III: A Memory
(Read more about Seven Answers).
6. Describe one of your early memories.
I was fourteen months old, still in diapers, and sitting in the mud puddle which always formed after a rain at the corner of our dead-end street. It was a shallow puddle, very warm, and I vividly remember the feel of the clay-ey mud below the water, soft as butter, squishy and impossible to grab, and the way it would 'powder' up and turn the water opaque when disturbed with a fist or a foot. I remember fishing out drowned worms and throwing them to one side. I don't remember anyone lifting me out of the water or scolding me for playing in the mud, but I have been told that I did it quite often...
My partner, who is a psychologist and very wise, has patiently explained to me why I cannot be remembering this, that no one can truly remember something from before the age of three or four at the earliest... but I do. Soft as butter...
6. Describe one of your early memories.
I was fourteen months old, still in diapers, and sitting in the mud puddle which always formed after a rain at the corner of our dead-end street. It was a shallow puddle, very warm, and I vividly remember the feel of the clay-ey mud below the water, soft as butter, squishy and impossible to grab, and the way it would 'powder' up and turn the water opaque when disturbed with a fist or a foot. I remember fishing out drowned worms and throwing them to one side. I don't remember anyone lifting me out of the water or scolding me for playing in the mud, but I have been told that I did it quite often...
My partner, who is a psychologist and very wise, has patiently explained to me why I cannot be remembering this, that no one can truly remember something from before the age of three or four at the earliest... but I do. Soft as butter...
Labels:
a memory,
polyphony,
Seven Answers,
the polyphonic poem
Tuesday, 14 February 2017
Seven Answers II: A House
(Find out more about Seven Answers.)
3. Tell me about a house that was important to you when you were a child.
My great aunt's house was mysterious and fascinating and I loved going there. I always wished I could live there. It was in the middle of a Victorian terrace, with green paintwork on the outside, and lots of rooms on the inside. We (my sister and I) were hardly ever allowed in the front room because it was laid out for best with a big posh wooden table and lacy tablecloth and candlesticks and silver and pictures of people I didn't recognise but was undoubtedly related to. The middle room was rented out to Mrs Riordan and you had to be careful not to press the wrong doorbell when you arrived because no one was to disturb her.
My great aunt lived mostly in the back room and the scullery which was a tiny kitchen with no fridge. The toilet was outside and we tried never to go in there because of the spiders. It was quite cold in winter, and there was a gas fire, but you could never get anywhere near it because of Mitzi, a black and white cat who didn't like children. She didn't like anyone if you ask me.
Upstairs there were several bedrooms, one with a bath in it. There was a 'new' indoor toilet with a bench seat that, in retrospect, looked like a medieval garderobe! At the end of the landing was my aunt's bedroom. At the front of the house it had a view over the busy main road. Sometimes she used to sit in the window doing her sewing and looking out. She used to make lavender bags. Once I sat with her. I can't remember where my mum was at the time.
Next to the bedroom door was an alcove with a curtain pulled over it. Behind the curtain was a little stairway. This led to the attic rooms which were dark and full of stuff, with a tiny tiny window. There was also a cellar where we probably were allowed, but didn't want to go on our own, and Mum wasn't coming with us so that was that.
There was a long garden at the back. We spent loads of time there playing with the lawn roller, picking up apples and looking at the millions of flowers that grew in the borders, on the stone walls and even out of the hollow stump of a tree. My great aunt had very green fingers and a very soft wrinkled face. She had a son, who I never met. When she died, well into her nineties, she left the house to him and it was sold. Sometimes, very occasionally, I go past it on the bus and I always look. It isn't green any more.
3. Tell me about a house that was important to you when you were a child.
My great aunt's house was mysterious and fascinating and I loved going there. I always wished I could live there. It was in the middle of a Victorian terrace, with green paintwork on the outside, and lots of rooms on the inside. We (my sister and I) were hardly ever allowed in the front room because it was laid out for best with a big posh wooden table and lacy tablecloth and candlesticks and silver and pictures of people I didn't recognise but was undoubtedly related to. The middle room was rented out to Mrs Riordan and you had to be careful not to press the wrong doorbell when you arrived because no one was to disturb her.
My great aunt lived mostly in the back room and the scullery which was a tiny kitchen with no fridge. The toilet was outside and we tried never to go in there because of the spiders. It was quite cold in winter, and there was a gas fire, but you could never get anywhere near it because of Mitzi, a black and white cat who didn't like children. She didn't like anyone if you ask me.
Upstairs there were several bedrooms, one with a bath in it. There was a 'new' indoor toilet with a bench seat that, in retrospect, looked like a medieval garderobe! At the end of the landing was my aunt's bedroom. At the front of the house it had a view over the busy main road. Sometimes she used to sit in the window doing her sewing and looking out. She used to make lavender bags. Once I sat with her. I can't remember where my mum was at the time.
Next to the bedroom door was an alcove with a curtain pulled over it. Behind the curtain was a little stairway. This led to the attic rooms which were dark and full of stuff, with a tiny tiny window. There was also a cellar where we probably were allowed, but didn't want to go on our own, and Mum wasn't coming with us so that was that.
There was a long garden at the back. We spent loads of time there playing with the lawn roller, picking up apples and looking at the millions of flowers that grew in the borders, on the stone walls and even out of the hollow stump of a tree. My great aunt had very green fingers and a very soft wrinkled face. She had a son, who I never met. When she died, well into her nineties, she left the house to him and it was sold. Sometimes, very occasionally, I go past it on the bus and I always look. It isn't green any more.
Labels:
a house,
polyphony,
Seven Answers,
the polyphonic poem
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